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Latest & Greatest

Louis Price & Kevin Treacy design
video & lights for
Chigger Foot Boys, directed by Irina Brown, at Tara Arts
www.tara-arts.com



Louis Price designs video for To Sir with Love
at Birmingham Rep, directed by Gwenda Hughes &
Tom Saunders, in a new adaptation by Ayub Khan Din
www.birmingham-rep.co.uk

Kevin Treacy lights Radamisto at NI Opera then touring, directed by Oliver Mears
www.niopera.com

Loren Elstein designs costumes for RENT,
20th Anniversary Production directed by Bruce Guthrie
at St James Theatre, London then touring.
www.stjamestheatre.co.uk

Miriam Nabarro designs I Told My Mum I was Going
on an RE Trip,
for 20 Stories High/Contact Theatre
www.contactmcr.com/www.20storieshigh.org.uk

Marcus Doshi lights The Skin of Our Teeth at
Theatre for a New Audience, New York
directed by Arin Arbus
www.tfana.org

Leslie Travers designs Twelfth Night at
Royal Exchange, Manchester, directed by Jo Davies
www.royalexchange.co.uk
 


Cameron Menzies directs 'Tis Pity: An Operatic Fantasia on Selling the Skin and the Teeth
with international cabaret star
Meow Meow
www.victorianopera.com.au

Marcus Doshi lights Svadba at Les Theatres de la Ville
de Luxembourg, directed by Ted Huffman
http://www.theatres.lu/SAISON

Pecan Summer by Short Black Opera, directed by
Cameron Menzies, at Sydney Opera House will be broadcast on NITV 4 February 2017  

Cameron Menzies wins Best Director in
Broadway World Awards, for
Pecan Summer
www.broadwayworld.com/article/2016-BroadwayWorld-Sydney-Awards-Winners-Announced

Press


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Vanessa, Wexford Opera
'one of the best-staged productions in the history of this Irish festival'

'this magnificent, soaring Vanessa deserves a wider audience'
*****The Telegraph


What Shadows, Birmingham Rep

’…What Shadows is the most provocative theatrical act of the decade’
**** Telegraph

The Marriage of Figaro, Lyric Opera of Kansas
Major kudos go to Leslie Travers, whose richly detailed, character-defining costume designs were sumptuous, his regal set design crafty and versatile.’
Kansas City Star

‘This set, both simple and complex at the same time, becomes as important as the characters on stage themselves. Without any spoilers, it's safe to say the transformations are mesmerizing.’
KC Metropolis

‘The technical aspects of the production are also noteworthy: Leslie Travers’ set design is creative and flexible, moving from one scene to another with minimal fuss…. This reviewer particularly liked Thomas C. Hase’s lighting design, particularly the opening of Act II, when we see the Countess, lamenting her unhappy relationship with the count, framed (caged, really) by the shadow of her marriage bed. Rather neat touch, that. All in all, it must be said that the season is off to a very strong start.’
KC Stage



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